You Call the Cops Again Rap Song
x Times Constabulary Brutality Struck A Nerve Within Hip-Hop
In calorie-free of the ongoing Black Lives Matter protests and calls for justice worldwide, we look back on x instances where rap artists were inspired to speak out against police force brutality and corruption on wax.
In hip-hop, "fighting the powers that exist" is a sentiment and call to activeness that is all as well familiar. Before and after Chuck D and Public Enemy helped coin that phrase with their seminal 1989 contribution to the Practice The Right Matter soundtrack, hip-hop artists accept spoken on the strained relationship between the criminal justice organisation and the Black community, with police force enforcement being the main target of that ire.
During the '80s and '90s, the acrimony built from decades of watching minorities being victimized by those sworn to serve and protect began to spill into the lyrics of rap's biggest stars. From acts like N.W.A. famously taking the LAPD and other law departments across the country to task with the incendiary salvo "Fuck tha Police force" in 1988 to KRS-I undressing African-American officers abusing their power on "Black Cop" in 1993, artists from all regions aired their grievances with the racially-motivated tactics of the boys in blueish.
Nevertheless, specific instances, such every bit the assault of Rodney King, as well as the murders of Amadou Diallo, Sean Bell, Oscar Grant, Mike Chocolate-brown, Sandra Bland, Jeremy McDole, and countless others at the hands of the police take sent the hip-hop community into a rage. The pain and suffering as a effect of those tragedies have accounted for some of the almost impassioned songs denouncing diverse constabulary enforcement agencies and calling for reform — if not abolitionism — of law forces nationwide.
In 2020, the murders of George Floyd, Breonna Taylor, and others in police-related deaths take reminded the hip-hop community that the fight against those forces must continue in guild to have back ability and turn the arrangement upside downward.
In light of the ongoing Black Lives Matter protests against racial inequality and calls for justice worldwide, Okayplayer looks back on 10 instances where hip-hop artists were inspired to speak out against constabulary brutality and abuse on wax.
Main Source — "Simply A Friendly Game of Baseball" (1991)
Source: Artist
Law brutality garners comparison to America's favorite pastime on this cut from rap grouping Main Source's Breaking Atoms anthology, with Large Professor using baseball jargon to describe the diverse ways that cops victimize members of the Black community. Proclaiming that his "life is valuable" and threatening to protect information technology at all costs, Big Pro and Main Source aim their ire at constabulary enforcement on this oft-overlooked analysis of the relationship betwixt Black and blue.
Dr.Dre, Snoop Dogg, Daz Dillinger, & RBX — "The Mean solar day The Niggaz Took Over" (1992)
Photograph Credit: Jeff Kravitz/FilmMagic, Inc
The anger that engulfed Black America after witnessing the murder of George Floyd at the easily of a white police officer resembled the vitriol that came as a effect of the not guilty verdict in the Rodney King example in 1992, which was conveyed on The Chronic cut "The Solar day the Niggaz Took Over." Dr. Dre, along with Snoop Dogg, Daz Dillinger, and RBX, helped provide the perfect hip-hop soundtrack for annexation and rioting and breaking off the police force and their co-conspirators with a dose of their own medicine.
KRS-One — "Sound Of Da Police" (1993)
Source: Artist
For minorities, the wail of a police siren has been synonymous with danger for far too long, which rapper KRS-1 touched upon in 1993, on "Sound of da Constabulary," from his debut solo anthology, Return of the Boom Bap. Addressing law enforcement's penchant for racially profiling and antagonizing young black men and women under the guise of protecting the community, the Blastmaster also takes those from his own community to task for joining The Blueish Wall, making for ane of the more enduring rallying cries aimed against the authorities.
Geto Boys — "Crooked Officer" (1993)
Source: Artit
In the wake of the Rodney Rex verdict the year before, the Geto Boys were one of the rap acts to verbally seek out their own pound of mankind against the police with the incendiary rails "Crooked Officer." Voicing their rage with emboldened threats against all branches of law enforcement, the Houston rap trio joined in with their Western and Eastern counterparts to put a spotlight on the abusive human relationship between people of colour and police departments across the country.
Hip Hop for Respect — "One Four Love" & "Protective Custody" (2000)
Source: Artist
On "One Four Love," from the 2000 project Hip Hop for Respect, several rap stars team up to fight the powers that be, in response to the 1999 murder of Guinean immigrant Amadou Diallo, who was shot 41 times by NYPD plainclothes officers in the Bronx. Calling for justice within the black community in light of the police brutality running rampant, rappers Doug E. Fresh, Pharoahe Monch, Common, Kool G Rap, Posdnuos, Rah Digga, Shabaam Sahdeeq, and Sporty Thievz joined Talib Kweli and Yaasin Bey in their quest to unify the people and cast aspersions on constabulary enforcement.
Another song from Hip Hop for Respect, an EP that struck a chord with the public was "Protective Custody," which paired Talib Kweli and Yaasin Bey with young man sociopolitical-minded rappers.
Featuring Breeze Brewin, Donte (of Mood), El-P, Imani Uzuri, Jah-Built-in, John Forté, Primary Flow, Mr. Khaliyl, Mr. Len, Ix, Punchline, Tiye Phoenix, and Jean Grae, "Protective Custody" saw the succession of spitters giving their critique of corrupt officers policing their community and lamenting the lack of justice afforded to blacks.
dead prez — "Constabulary State" (2000)
Source: Creative person
The mobilization of law enforcement to carry out the plans of clandestine figures in the shadows of gild is no secret, a topic rap duo dead prez brought to the forefront of the conversation with "Constabulary State." Included on their 2000 debut Let's Get Free, "Police force Land" delves into the diverse tactics that cops and their cohorts use to surveil and prey on the Blackness community, especially the violence committed in the name of upholding American values.
The Insurrection & T-K.A.South.H. — "Pork and Beef" (2001)
Source: Artist
The Insurrection'due south Boots Riley lets the listeners know exactly what's on the menu with this takedown of police force brutality, from the group'due south 2001 album Party Music. Speaking on the nefarious inner-workings of the justice arrangement, Riley and rapper T-Yard.A.S.H. urge the people to ring together and inflict their own impairment on our foes on patrol with this revolutionary call to arms.
Cassidy, Drag-On, Styles P., Talib Kweli, & Maino — "Stand up Up" (2008)
Source: Creative person
Hip-hop showed up in a big way following the death of Sean Bong, who was murdered on Nov 25, 2006 afterwards NYPD plainclothes and hugger-mugger detectives fired fifty rounds into his vehicle on the morning of his wedding ceremony. One song that non only paid tribute to Bong'south life, merely vilified the officers involved — who were found non guilty in 2008 — was "Stand up," featuring Cassidy, Drag-On, Styles P., Talib Kweli, and Maino. Released in May 2008, but weeks subsequently the verdict was announced, "Stand up" channels the anger and disbelief that accompanies the devaluing of black life in the eyes of constabulary enforcement.
Killer Mike — "Don't Dice" (2012)
Photo Credit: Shaughn Cooper for Okayplayer
Killer Mike spins a riveting tale about being the target of an intense manhunt later on defending himself from trigger happy policeman on "Don't Die," from the Atlanta raptivist's 2012 effort R.A.P. Music. From the onset of the vocal, when he wakes upwardly to the sight of a firearm aimed squarely at his face, Killer Mike laments the fervor with which law enforcement hunt downwards Black people, but refuses to be victimized and goes full Larry Davis, putting forth a triumphant number that scoffs in the face of fear.
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Preezy Brown is a New York City-based reporter and writer, filling the empty spaces within street and urban civilization. A product of the School of Hard Knocks, Magna Cum Laude. The Crooklyn Dodger. Got Edgeless?
Source: https://www.okayplayer.com/music/hip-hop-songs-against-police-brutality.html
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